Tong Yanrunan ,He was born in jiujiang, jiangxi province in 1977 and graduated from China academy of fine arts with a doctor's degree. For 20 years, tong yanru nan has created portrait art in the style of spiritual cultivation and face to face to elaborate the Chinese landscape spirit, which is an overall reflection on the art in the Internet era and a unique school in the world art field. Heads of state and other 100 famous people from around the world modeled for him. He has held more than 10 solo exhibitions in Italy, Germany, Switzerland, Singapore and Hong Kong, and more than 100 joint exhibitions in the grand palais national museum and the Tokyo metropolitan art museum. Cooperated with Marlborough, G.A.M., Lin baoxuan and other galleries; His works have been collected by the Moscow museum of modern art, the guggenheim foundation, the national art museum of China and the Chinese art palace. Locarno gold cup, ISPEC special culture award, etc. Art director of G20 and brics venues in hangzhou and xiamen. He has curated dozens of exhibitions and consulted billions in collection funds. In recent years, we have explored the origin of Chinese culture and art and the way to activate it in the contemporary era. We are planning exhibitions and projects in the strategic sense of national culture. As a child, tong learned calligraphy and practiced landscape painting under the guidance of master li keran. At the age of 19, I was admitted to the oil painting department of China academy of fine arts. After that, I established my own artistic language, "forever 41 × 33cm", whose visual presentation was similar to the human size. The portrait painting of tong yan runan is based on the form of western painting and rooted in the spirit of Chinese mountains and waters, which shows the free realm of swimming and living in landscape painting. He transformed the artistic techniques of oil painting and ink painting into a new art symbiome, and the expression of his eyes is the most important artistic expression. Take zhuang zi's paoding analyzer as an example, which reflects the delicacy of skills, showing freedom in subtlety and tao in technology. The distance between "thing and me" and "hand and heart" is removed, so that a sense of completeness can be gained in the liberation of technology, and the achievement becomes the pure spirit of art. The inspiration for tong yan runan's oil painting series "41 × 33cm forever" can be traced back to 1998. When debray, a French master of abstract painting, visited pan tianshou's memorial hall during his visit to China last year, he once said, "pan tianshou painted very well, but it would have been better if he had not painted the eyes when he painted the eagle." This sentence, to tong yan runan great influence. The eye is the most expressive organ of the face, but it is also the easiest organ to objectualize and externalize the picture. Therefore, tong yan runan never focuses on the depiction of the eyes, but "enters into the true nature of the characters" through the expression of the overall picture. Huang du, curator of the China pavilion at the 26th Sao Paulo biennale, once commented on the work: "the image features of tong yan runan are realized by means of fluidity, randomness, and the rich and rough freehand brushwork of contingency, thus turning the clear and concrete meaning into imagination and abstract images. That is to say, the characteristics of the people around us as individuals are transformed into universal human characteristics. "